Joy Harjo, of the Muscogee Creek Nation, Poet Laureate of the United States, holds within her name, a message. In Mvskoke, her tribal language, Harjo means “so brave, you’re crazy.” Rooted in the stories, perspectives, and blessings of her ancestors, along with lived history of the violent oppression of her people, this prolific poet, musician & performer has offered so much to the world. She is a wonder, true to her name.
 
Her particular perspective is one so needed in tumultuous times such as the ones we are living through, where courage is needed on a moment to moment basis, in ways big and small, personal and collective.
 
Harjo’s bravery to share her voice over and over again for decades and decades, come what may, has lit a fire in so many hearts.
 
There is a poem of hers called “I Give You Back”, in which she speaks directly to her fear, and inadvertently gives teachings on one of the most essential keys to unlocking courage: facing fear and consciously, thoroughly, changing one’s relationship to it.
 
Let’s walk through this poem, bit by bit, and see what we can learn:
 
“I release you, my beautiful and terrible
fear. I release you. You were my beloved
and hated twin, but now, I don’t know you
as myself. I release you with all the
pain I would know at the death of
my children.
You are not my blood anymore.”
 
Here, Harjo reveals how her fear shows up as a kind of twin self, which seems so important to name, as often our fears sound so close to our own voice that we can mistake the sound, the impulse, as our truth. She expresses the extraordinary pain of releasing and disowning this beautiful and terrible twin self, her fear. I’m sure many of us can relate as we can all seek a painful comfort in what is familiar, no mater how much it hurts.
 
“I give you back to the soldiers
who burned down my home, beheaded my children,
raped and sodomized my brothers and sisters.
I give you back to those who stole the
food from our plates when we were starving.
I release you, fear, because you hold
these scenes in front of me and I was born
with eyes that can never close.
 
I release you
I release you
I release you
I release you”
 
In a powerful declaration, she sends her fear back to where it came from: the soldiers that desecrated her people and their sacred land. I wonder where, if asked, those soldiers would send their fear back to? I wonder how far the chain of fear goes back? I wonder: where is the origin?
 
She goes on to state that her fear plays out these scenes of horrific ancestral memories, a real predicament for her because she was born with eyes that can never close. The fear has been able to turn her great gift of vision into a kind of hell. So, she prayerfully, and powerfully, repeats: I release you over and over and over again. 
 
“I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved.
to be loved, to be loved, fear.
 
Oh, you have choked me, but I gave you the leash.
You have gutted me but I gave you the knife.
You have devoured me, but I laid myself across the fire.”
 
She tells fear that she is no longer afraid to be, to be, to be, where she is at, no matter what. Nor is she afraid to be hated or to be loved (especially to be loved). She names herself as an accomplice to the terror the fear has put her through.
 
“I take myself back, fear.
You are not my shadow any longer.
I won’t hold you in my hands.
You can’t live in my eyes, my ears, my voice
my belly, or in my heart my heart
my heart my heart”
 
Here, Joy Harjo offers an exquisite expression of boundaries, crystal clear and full-bodied. The words here act was a purification of her whole being. (It occurs to me that this would make a beautiful prayer or chant for ritual.)
 
“But come here, fear
I am alive and you are so afraid
                                    of dying.”
 
Here now, she closes boldly, directly, courageously, and fully alive as she mirrors fear’s fear: dying. Checkmate.
 
Also, standing ovation! 
 
How fortunate we are to be able to learn from this wise elder. I will say it again: her poetry contains teachings and ideas for these times and we are blessed that she is still creating and sharing her crazy brave voice. 
 
You can find this poem and many others in her collection, How We Became Human, and also, She Has Some Horses.
 
 
 
 
YOUR TURN
 
In the comments, and/or in the privacy of your own heart or journal, please answer:
 
Do you relate with Joy Harjo’s poem and process around fear?
How are you relating to fear and courage these days?
 
Can’t wait to read ‘em. ♥️
 

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